Soft? Tactile Dialogues




"Soft? Tactile Dialogues" is about the freedom with which artists move between various media, about unexpected textile applications, about tactility and aversion, and about the textures and the skin of sculptures.
Visitor information
Duration
28 September 2018 until 24 February 2019
Price
Free, a ticket reservation is not required
Description of the exhibition
This Autumn, MoMu will present the exhibition "Soft? Tactile Dialogues" on location at the Maurice Verbaet Center in Antwerp. This will mark the first time that MoMu takes its focus away from fashion. It will present work from its own collection by Belgian textile artists from the 1970s and '80s in an inspiring dialogue with contemporary artists who express themselves freely in textiles. The Maurice Verbaet Center's 1960s architecture and its monumental stairwell form an impressive backdrop for the exhibition.
Dig deeper
In the 1960s and '70s, many feminist, post-minimalist, and fibre artists found their way to textiles. They were attracted to the aesthetic possibilities, structural potential, and semiotic power of this 'soft' material.
The intuitive or militant use of textiles – a material traditionally associated with commerce and industry – put pressure on the stark distinction between fine arts and applied arts.
It was precisely because of the sexist association of textiles with 'women's work' or 'decoration', that feminist artists used it to denounce the balance of power within the art world.

Belgian artists such as Veerle Dupont, Suzannah Olieux, Hetty Van Boekhout, Liberta Ferket and Edith Van Driessche also expressed themselves in textiles during this era. Their oeuvres form an exceptional component of MoMu's collection. Also shown in the exhibition is the work of the better known Belgian-Polish artist Tapta, whose work is part of the collection of Verbaet, a private collection of Belgian modern art produced after the war.

Although these artists often worked at the margins of the art world, their continual efforts were crucial for textiles to become an accepted medium in contemporary art.
In "Soft?", MoMu will present work by this first generation for the first time in dialogue with contemporary artists such as Kati Heck, Nel Aerts, Anton Cotteleer, Sven ‘t Jolle, Klaas Rommelaere, Christoph Hefti, Stéphanie Baechler, Ermias Kifleyesus, Gommaar Gilliams, Wiesi Will and Kirstin Arndt.
This younger generation expresses themselves unapologetically and freely in textiles, often combined with other media. This sense of freedom is owed to the battle fought by that first generation, as well the changing perception of art criticism where the quality of an artwork has little to do with style or medium, but all to do with artistic intention.
"Soft?" is about the freedom with which artists move between various media, about unexpected textile applications, about tactility and aversion, about the textures and the skin of sculptures.

"Soft?" route
In October 2018, PLUS-ONE Gallery, Gallery Sofie Van de Velde, ABC Klubhuis and DMW Art Space will also join "Soft?", and five unexpected installations in window displays by young artists enter into dialogue with passers-by in the Lange Leemstraat.
Animation
Kati Heck, Dreimal Selbst mit Magier, 2016. Poto: Courtesy Tim Van Laere Gallery
Kati Heck, Schutzengel of Painting, 2015. Photo: Courtesy Tim Van Laere Gallery
Nel Aerts, Ontmaskerd Maske, Edition of 20, 2017. Photo: We Document Art
Christoph Hefti, Animal Mask, 2016. Photo: Courtesy Maniera
Exhibition under the lead of
Curator: Elisa De Wyngaert
Groups
It is possible to book a group tour for this exhibition
Schools
There is a also a guided tour available for secondary school pupils and students in higher education.